The cinematic storm surrounding Kantara: Chapter 1 isn’t just about box-office numbers anymore — it has stirred deep emotions among Daiva worshippers along the coastal belt of Karnataka. Directed and headlined by Rishab Shetty, the film has emerged as a massive hit, earning widespread praise for its craft and cultural detailing. Yet, beyond the applause, a growing unease brews among traditional Daiva devotees. Their grievance? The imitation and parody of sacred rituals by social media users in the wake of the film’s release.

Over the past week, clips of people mimicking Daiva performances — the traditional spirit-possession dance central to the Kantara universe — have flooded platforms like Instagram and X. What began as playful fandom has, for many devotees, crossed a line. They believe the sacred art form, meant to channel ancestral spirits and divine energies, is being trivialised for likes and laughs.

In response, Daiva worshippers from regions including Bajpe, Perara, Brahma Balavandi, and Pilchandi near Mangaluru have decided to take their grievance not to the police or politicians but to the deities themselves. Collective prayers and spiritual petitions are being offered before Daiva shrines today (October 9), urging divine intervention against those mocking or imitating the rituals.

“The film may have reignited curiosity about our traditions, but Daiva worship existed long before cinema and will continue long after,” said a devotee from Mangaluru, reflecting the sentiment of many. Some have even questioned the double standard — “If viewers are wrong to imitate the Daiva, was the actor’s portrayal not imitation too?” they ask online.

Despite the controversy, Rishab Shetty and Hombale Films have repeatedly urged fans — through statements on social media — not to mimic the Daiva acts portrayed on screen. But the cultural impact of Kantara: Chapter 1 has taken on a life of its own, where faith, film, and fandom now meet at a sensitive crossroads.