Thamma box office: The horror-comedy saw a slight spike on Tuesday, as it earned Rs 5.75 crore 
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Thamma box office: Ayushmann Khurrana-Rashmika Mandanna’s film enters Rs 100 crore club in eight days

Thamma box office: The horror comedy minted saw a huge drop on Monday, earning just over Rs 4.3 crore

Cinema Express Desk

Thamma box office: Ayushmann Khurrana and Rashmika Mandanna’s horror comedy, Thamma has finally entered the Rs 100 crore club in eight days since its release. Written by Niren Bhatt, Suresh Mathew and Arun Falara and directed by Aditya Sarpotdar, the film also stars Nawazuddin Siddiqui, Paresh Rawal and Sathyaraj in pivotal roles.  

After earning Rs 12.6 crore on Sunday, Thamma saw a huge dip of over 65.87% on Monday earning just over Rs 4.3 crore, as per industry tracker Sacnilk. It saw a slight spike on Tuesday, as it earned Rs 5.75 crore, making its lifetime collection Rs 101.35 crore. The film had a Hindi occupancy of 18.53% on Tuesday.

Thamma has performed better than some of previous films in Maddock Horror Comedy Universe, including, Stree (2018), Bhediya (2022) and Munjya (2024). However, it is still miles behind Stree 2, which had entered the Rs 100 crore in just four days after opening at Rs 51.80 crore.

Thamma is facing some competition from Harshvardhan Rane and Sonam Bajwa’s romantic-drama, Ek Deewane Ki Deewaniyat, which earned Rs 4.5 crore on Tuesday. The film will soon cross Rs 50 crore at the box office, as its current collection stands at Rs 49.95 crore.

CE’s review of Thamma reads, “The real horror in Thamma is realising it’s still not over; the comedy meanwhile, dies long before the vampires do, staying buried under flat gags and dated jokes. To shake the monotony, Varun Dhawan makes a rather laughable entry late into the second half and the memory of the film being part of MHCU sprawls up. It is the weakest entry in the universe; a hollow spectacle that is all talk and no play. In a scene, when Alok gulps down that 3000-year-old blood and passes out, it feels strangely envious. At least he has the privilege of escaping the life-sucking doom that unfolds.”

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