Amol Patil’s directorial debut, Udaala, hits theatres on November 14. According to the makers, the film brings the playful energy of teenage life to the big screen with a strong North Karnataka flavour. Produced by Ravi Shamanur and Yogaraj Bhat, with music by Chethan-Davy Sosca and cinematography by Shivashankar Noorambada, the film aims to blend humour, mischief, and authenticity. In this exclusive chat, Pruthvi Shamanur and Hrithika Srinivas talk about their characters, the challenges of regional dialects, and the fun of filming.
How did you prepare for your roles in Udaala?
Pruthvi Shamanur: For me, it was exciting. Pakkya is a total contrast to my debut in Padavi Poorva. That first role was soft and relatable, while Pakkya is mischievous, energetic, and always up to something, yet somehow commands the space.
Hrithika: Pinky is playful and curious. She mirrors Pakkya’s energy but brings her own personality. I loved that she compliments him without copying. The script gave both of us room to explore.
Pakkya and Pinky are very playful. How did you bring their energy to life?
Pruthvi: Amol encouraged natural playfulness. The humor comes from the characters and situations, not forced jokes, so it felt real.
Hrithika: Even the director joined in the fun. The whole crew embraced the mischievous vibe. Shooting felt like reliving teenage fun with curiosity and laughter. That energy will definitely reach the audience.
Mastering the North Karnataka dialect is a big part of the film. How challenging was it?
Pruthvi: It required preparation. Being from Davangere helped, but Pakkya’s specific accent and rhythm needed focus. It wasn’t just about the words—the gestures and energy of the place mattered.
Hrithika: I can speak Kannada, but I trained for a month in the North Karnataka dialect. Yogaraj Bhat’s dialogues had unique words and expressions. Learning them helped me live as Pinky, not just perform the lines.
Did speaking the dialect help you connect emotionally with your characters?
Pruthvi: Absolutely. Playing a Tam Tam driver and tourist guide meant I had to feel like a local in Bijapur. That authenticity matters.
Hrithika: Yes. Internalising the accent made my expressions, body language, and timing feel natural. By the end of the shoot, I was fully in Pinky’s shoes.
Any memorable moments from shooting in Bijapur or with the crew?
Pruthvi: The improvisations and spontaneous reactions were unforgettable. Amol gave us freedom, so many moments felt fresh and alive.
Hrithika: I loved interacting with locals, learning their gestures, and exploring the town. The camaraderie with Pruthvi during playful sequences was a highlight.
What was it like working with debut director Amol Patil?
Pruthvi: Amol is confident and clear about his vision. He lets actors explore while keeping the story intact. That balance is rare for a first-time director.
Hrithika: He is creative and energetic. He knows what he wants, but lets the actors contribute. The set was lively and collaborative.
What excites you most about your characters?
Pruthvi: The freedom to explore. Pakkya’s mischievous nature allowed me to experiment and grow as an actor.
Hrithika: Pinky’s curiosity and playful side. The script lets her grow alongside Pakkya while balancing fun with emotion. I enjoyed portraying that mix.
What should audiences expect from Udaala?
Pruthvi: Laughter, mischief, and a story that feels real, especially for people in North Karnataka.
Hrithika: A lively and immersive experience. Audiences will laugh, connect with the characters, and enjoy the regional flavour. It’s playful and relatable.
Any advice for viewers before they watch the film?
Pruthvi: Relax and enjoy. Let the story and characters carry you.
Hrithika: Laugh, feel, and stay curious just like the characters.