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Location Diaries: When Priyamani's dad was star-struck by Mohanlal- Cinema express

Location Diaries: When Priyamani's dad was star-struck by Mohanlal

The actor talks about her experiences in the films Otta Nanayam, Grandmaster, Raavan and Chennai Express

Published: 06th February 2018

In the film Otta Nanayam (2005), Priyamani played a beggar called Chippy. A shoot was scheduled at the Ernakulam Junction station. Priyamani had to beg from real-life passengers accompanied by a group of beggar kids. She was dressed appropriately: a black paavada, a cream blouse and a face without make-up. The camera was placed in a hidden position.

“Not many people recognised me,” she says. “Maybe one or two did but they were not sure whether I was indeed Priyamani.”

Anyway, Priyamani began asking for money from passengers sitting at the window seats. “Two men gave us one rupee coins,” she says. “But another man yelled at us and said, 'Why can't you get some job instead of begging? Every afternoon, we see people like you. Why do you beg?'”

Priyamani ignored him and went to the next passenger. “It was a strange and weird experience,” she says. “The way people stared at me. To lead a life where you don't have any money can be so difficult.”

Priyamani had a completely different experience on the sets of Grandmaster where she acted opposite Mohanlal for the first time. It was also the first time that her parents and brother came to watch her act on the sets. “The main reason was that my father is a big fan of Mohanlal,” she says. “But on the set, my dad was star-struck.”

When her father came face-to-face with the superstar, he felt flustered and said, “I have been a fan since my childhood.” Later, he told Priyamani, “I should not have said that.”

Meanwhile, there were some problems with Mohanlal's mobile phone. But Priyamani's brother Vishakh was very good with electronic stuff. He tinkered with it and solved the problem. “Mohanlal was very happy and grateful,” says Priyamani. 

In the Hindi film Raavan (2010), Priyamani was playing the role of Abhishek Bachchan's sister. The shoot was taking place in Jhansi. The stars were staying at a palace which had been converted into a heritage hotel. Priyamani was suddenly laid low by the flu. She felt very weak. Nevertheless, she decided to go to the dining hall with her mother and have some food. Soon, Abhishek heard that she was unwell.

He came over to their table holding a white bowl in his hands. “This is a ginger chicken curry which I just made in the kitchen. It has got a lot of medicinal value,” he said. Priyamani was not sure whether he was pulling her leg or not. Nevertheless, she smiled and accepted the dish. “It was quite tasty,” she says. “Abhishek is a good cook.”

When shooting for Chennai Express, Priyamani had the chance to interact with another Bollywood star, Shah Rukh Khan. The shoot, at Wai, in Pune district, was for the song, 1,2,3,4 Get on the dance floor. “Shah Rukh is a cool person,” says Priyamani. During breaks in the shoot, they would play Kaun Banega Crorepati. He had downloaded the app on his Ipad and acted as the quiz master. “Nikitin Dheer [who usually plays villain roles], and I bet small amounts and tried to answer the questions,” says Priyamani. “Time passed so quickly, thanks to KBC.”

The shoot for the film, Thirakkatha (2008) was taking place in a tea estate at Wayanad. Priyamani played Malavika, an actor who had faded from public view. In the morning, they shoot for a romantic song, Pala poovithalil, in which she wore several bright costumes. For the second half of the shoot, make-up man Renjith Ambadi had to change her look entirely since her character was suffering from cancer in the film. So, he had to make her head bald and give her a pale look. It took three hours. After he finished his task, when Renjith looked at her, tears began to roll down his face.

“I did not ask him the reason why,” says Priyamani. “But I suspected that I was a reminder of some person who had passed away.” Priyamani realised the effectiveness of the make-up when she walked into the set. “There was a pin-drop silence,” she says. “People just stared at me silently.”

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