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Fraud Saiyaan Review: A disconcerting watch in the time of #MeToo- Cinema express

Fraud Saiyaan Review: A disconcerting watch in the time of #MeToo

For all the B-movie debauchery and flatulence humour, there’s an uncaring flippancy to Fraud Saiyaan that occasionally soothes

Published: 18th January 2019

Saurabh Shukla gets called a ‘gulab jamun’ in Fraud Saiyaan. The 55-year-old veteran actor farts and yawns, drives around in a turquoise ambassador, and shakes a decent bit of leg in clean white sneakers. Jokes are hurled at his weight, but he doesn’t seem to mind. Instead, from time to time, he cranes his neck to the side like a beached walrus — too content in his corner to be bothered by dialogue. He is a ridiculous sidekick to a ridiculous hero in a haplessly ridiculous film, but Saurabh's sincerity is sweetly inspiring. Even in a story about swindlers and fraudsters, here’s an actor turning in honest work for (presumably) honest pay.

Cast: Arshad Warsi, Saurabh Shukla

Director: Sourabh Shrivastava

Saurabh’s co-star, Arshad Warsi, however, hams it all through. The actor is surely capable of more, but he doesn’t care to break a sweat as he goes from woman to woman and wife to wife, playing the titular saiyaan with the same comic shtick of all his previous roles: jerky shoulders for punchline, arched eyebrows for lechery, and so on. As a child, Bhola Prasad Tripathi (Arshad) learns to make money by running a peep-show of adult magazines in his government high school. He soon comes across a greater scam — ‘marriages’ — and grows into a despicable imp who weds as many as 13 women and lives off their cash. None of these dolled-up ladies, who all look irrevocably out of Bhola’s league, make much of his masculine digressions, standing up for him instead when the cops (or gangster relatives) arrive. 

It’s profusely disconcerting to watch Fraud Saiyaan in the age of #MeToo. We are tickled to laugh at scenes that border on rape, and there’s a perverse psychology permeating throughout the script — in one scene, Bhola offers the plain explanation for his behaviour: “I spread happiness,” he reasons, “and take some money in return.” This film was shot in 2014, when adultery was still a crime in India, and there’s a sequence added in to include the 2018 Supreme Court ruling (the continuity is hilariously off here: Arshad’s beard flicks back and forth between black and grey, while Saurabh smartly wraps a turban around his head, explaining it as a guise to avoid beatings). 

Yet, for all the B-movie debauchery and flatulence humour, there’s an uncaring flippancy to Fraud Saiyaan that occasionally soothes. A child trades in his dreams of “serving the nation” for a quick hundred bucks, and a police officer laughs off a complainant when presented with ‘mangalsutra’ as criminal evidence. In a month chock-a-block with painstakingly self-serious Hindi movies, this impetuous little film could've been just the breather we needed (if only Saurabh had stopped farting, that is...)

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