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A Supervillain for a Superstar: The best villains who have faced off with Rajinikanth over the years

It is often said about cinema that it is tough for a hero to stand out if not for a good villain. It gets even tougher when a supervillain needs to be envisaged for a superhero. And as recent Tamil films have shown, it is toughest to fashion out a strong villain for a demi-god of a hero, and in Tamil cinema, it doesn't get bigger than Rajinikanth. 
How do you sell Rajinikanth losing to someone? How do you convince the audience that Rajinikanth is vulnerable enough?
How do you sell Rajinikanth losing to someone? How do you convince the audience that Rajinikanth is vulnerable enough?
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While there are many factors in play when casting the antagonist in a Rajini film, over the past 25-30 years, there is one question--can the villain be better than Raghuvaran's Mark Antony in Baasha?
While there are many factors in play when casting the antagonist in a Rajini film, over the past 25-30 years, there is one question--can the villain be better than Raghuvaran's Mark Antony in Baasha?
Such is the impact of that one film - Baasha and the one actor - Raghuvaran - that almost no villain since has been able to create that kind of euphoria in a Rajinikanth film since then.
Such is the impact of that one film - Baasha and the one actor - Raghuvaran - that almost no villain since has been able to create that kind of euphoria in a Rajinikanth film since then.
Though Mark Antony does overshadow the wide spectrum of villains Rajinikanth has vanquished over the years, he did face pretty formidable resistance from some of Tamil cinema's finest actors.
Though Mark Antony does overshadow the wide spectrum of villains Rajinikanth has vanquished over the years, he did face pretty formidable resistance from some of Tamil cinema's finest actors.
So here, we write about some of the best villains who stood their ground opposite one of the greatest manifestations of superstardom in Indian cinema — Rajinikanth. Read on...
So here, we write about some of the best villains who stood their ground opposite one of the greatest manifestations of superstardom in Indian cinema — Rajinikanth. Read on...
Sathyaraj - The villain of villains: The similarities between Rajini and Sathyaraj can't be unseen. Both of them started their career with minor roles, found their identity by playing antagonists.
Sathyaraj - The villain of villains: The similarities between Rajini and Sathyaraj can't be unseen. Both of them started their career with minor roles, found their identity by playing antagonists.
But Sathyaraj has truly been the 'Villadhi Villain' of his times, having played the nemesis of Rajini in more than nine films and it is always a delight to see this dynamic duo take on each other.
But Sathyaraj has truly been the 'Villadhi Villain' of his times, having played the nemesis of Rajini in more than nine films and it is always a delight to see this dynamic duo take on each other.
Though every negative role of Sathyaraj has been iconic, his Gopinath in Mr Bharath set a new benchmark for the baddies in a Rajini film and the streak was only broken by the irrepressible Raghuvaran.
Though every negative role of Sathyaraj has been iconic, his Gopinath in Mr Bharath set a new benchmark for the baddies in a Rajini film and the streak was only broken by the irrepressible Raghuvaran.
Shankar tried to recreate this magic by roping in Sathyaraj to play the role of Suman in Sivaji and Danny Denzongpa in Enthiran.
Shankar tried to recreate this magic by roping in Sathyaraj to play the role of Suman in Sivaji and Danny Denzongpa in Enthiran.
But, unfortunately, Sathyaraj turned down the offer citing that he couldn't settle for a film that seemed lesser than Mr Bharath.
But, unfortunately, Sathyaraj turned down the offer citing that he couldn't settle for a film that seemed lesser than Mr Bharath.
We wish Sathyaraj had taken, and made Shankar write his character better. Imagine Kasimedu Aadhi going, 'Ennama kannu, indha Aadhi character eh purinjika maatengriye!' during the interval block. `````
We wish Sathyaraj had taken, and made Shankar write his character better. Imagine Kasimedu Aadhi going, 'Ennama kannu, indha Aadhi character eh purinjika maatengriye!' during the interval block. `````
Nana Patekar - The Evil in White: Speaking at the audio launch of Kaala, Rajinikanth said, “In my entire career, I have found only two villains, who were challenging to me.
Nana Patekar - The Evil in White: Speaking at the audio launch of Kaala, Rajinikanth said, “In my entire career, I have found only two villains, who were challenging to me.
'One is Baasha’s Antony (Raghuvaran) and the other is Padayappa’s Neelambari (Ramya Krishnan). And, now, it is Hari Dhadha! You wait and see… Enakke oru maja vandhurchu… vaa pathurlaamnu.”
'One is Baasha’s Antony (Raghuvaran) and the other is Padayappa’s Neelambari (Ramya Krishnan). And, now, it is Hari Dhadha! You wait and see… Enakke oru maja vandhurchu… vaa pathurlaamnu.”
But, Hari Dhadha was not much spoken about once the film was released. He was not exalted to the levels of Mark Antony and Neelambari. Yet, Haridev Abhyankar is the most unique of all Rajini villains.
But, Hari Dhadha was not much spoken about once the film was released. He was not exalted to the levels of Mark Antony and Neelambari. Yet, Haridev Abhyankar is the most unique of all Rajini villains.
Hari was not just someone who was in Superstar’s vazhi. He represented something abstract. It was not just about Kaala vs Hari Dhadha or Rajinikanth vs Nana Patekar. It was more like Batman vs Joker.
Hari was not just someone who was in Superstar’s vazhi. He represented something abstract. It was not just about Kaala vs Hari Dhadha or Rajinikanth vs Nana Patekar. It was more like Batman vs Joker.
Or simply put, it was the good old fight: light vs darkness (just that here the light is clad in black and dark in white).
Or simply put, it was the good old fight: light vs darkness (just that here the light is clad in black and dark in white).
If restraint can be considered to be an important aspect of acting, then Patekar, it must be said, aced the role of this cunning politician. A hat tip to his efforts in dubbing the Tamil dialogues.
If restraint can be considered to be an important aspect of acting, then Patekar, it must be said, aced the role of this cunning politician. A hat tip to his efforts in dubbing the Tamil dialogues.
Ramya Krishnan - The Mad Queen: You can’t speak of villains in Rajinikanth films without talking of Neelambari.
Ramya Krishnan - The Mad Queen: You can’t speak of villains in Rajinikanth films without talking of Neelambari.
It is one of those rare characters where most of the adjectives you typically ascribe to the hero, apply — like the dialogue, which is attributed to Padaiyappa in the film, “Vayasanalum, un style um a
It is one of those rare characters where most of the adjectives you typically ascribe to the hero, apply — like the dialogue, which is attributed to Padaiyappa in the film, “Vayasanalum, un style um a
Strong, sophisticated, headstrong, powerful and intelligent, Neelambari and Padaiyappa were two sides of the same coin.
Strong, sophisticated, headstrong, powerful and intelligent, Neelambari and Padaiyappa were two sides of the same coin.
And Ramya Krishnan plays this assertive woman with unbridled power. In an era where women were constantly relegated to playing meek roles, Neelambari was a landmark shift in the narrative.
And Ramya Krishnan plays this assertive woman with unbridled power. In an era where women were constantly relegated to playing meek roles, Neelambari was a landmark shift in the narrative.
Of course, there's the mansplaining and the blatant sexism. But Neelambari handled it all like a boss, with confidence and authority that could quieten even the alpha in the room.
Of course, there's the mansplaining and the blatant sexism. But Neelambari handled it all like a boss, with confidence and authority that could quieten even the alpha in the room.
Radharavi - The good-bad, yin-yang: Another villain who was instrumental in making Rajini the star into a Superstar is Radharavi.
Radharavi - The good-bad, yin-yang: Another villain who was instrumental in making Rajini the star into a Superstar is Radharavi.
The duo, who began their careers almost together, rose in their respective ladders, from playing the hero & villain fitting the archetype to experimenting on various characters within those parameters
The duo, who began their careers almost together, rose in their respective ladders, from playing the hero & villain fitting the archetype to experimenting on various characters within those parameters
Take Guru Sishyan (1988), for example. Rajini's Raja played the usual cheerful conman in extreme to Muthuraj (played by Radharavi), who is a rapist and a murderer.
Take Guru Sishyan (1988), for example. Rajini's Raja played the usual cheerful conman in extreme to Muthuraj (played by Radharavi), who is a rapist and a murderer.
Something which both the actors loved and were loved doing was humour and Rajadhi Raja (1988) is a classic example where both of them stuck to the hero-villain paradigm in a hilarious backdrop.
Something which both the actors loved and were loved doing was humour and Rajadhi Raja (1988) is a classic example where both of them stuck to the hero-villain paradigm in a hilarious backdrop.
After sticking to the basic baddie in films such as Uzhaippali and Panakkaran, Radharavi experimented with unconventional roles in the 90s.
After sticking to the basic baddie in films such as Uzhaippali and Panakkaran, Radharavi experimented with unconventional roles in the 90s.
Though Ramya stole the show in Padayappa, Radharavi as her father who keeps Padayappa's family at bay during their tough times, showed us that he can also play a villain, who is made a victim of fate.
Though Ramya stole the show in Padayappa, Radharavi as her father who keeps Padayappa's family at bay during their tough times, showed us that he can also play a villain, who is made a victim of fate.
That's something he did in some of his best works in a Rajini film during the 90s —Muthu and Annamalai where he played the menacing chieftain Ambalathar and an avaricious Gangadharan respectively.
That's something he did in some of his best works in a Rajini film during the 90s —Muthu and Annamalai where he played the menacing chieftain Ambalathar and an avaricious Gangadharan respectively.
Who can forget his iconic line from Suresh Krishna's Annamalai, 'Kooti kazhichu paaru, Kanakku seriya varum'.
Who can forget his iconic line from Suresh Krishna's Annamalai, 'Kooti kazhichu paaru, Kanakku seriya varum'.
Rajinikanth - The Villain in the Mirror: Before he became the much-loved, can-do-no-bad Superstar, Rajinikanth was someone who revelled in playing the bad guy.
Rajinikanth - The Villain in the Mirror: Before he became the much-loved, can-do-no-bad Superstar, Rajinikanth was someone who revelled in playing the bad guy.
An abusive husband, a sadistic bully, an ungrateful friend, and wait for it... an adult filmmaker - there was almost nothing he couldn't do.
An abusive husband, a sadistic bully, an ungrateful friend, and wait for it... an adult filmmaker - there was almost nothing he couldn't do.
His villainous avatar as a sadist hubby in Avargal (1977), in particular, has been lauded. ‘What do you want?’ asks the wife, to which Rajini replies, ‘for you to weep, for me to watch with pleasure.'
His villainous avatar as a sadist hubby in Avargal (1977), in particular, has been lauded. ‘What do you want?’ asks the wife, to which Rajini replies, ‘for you to weep, for me to watch with pleasure.'
Even though he's been playing roles with grey shades in his inimitable style even after turning hero, the full-fledged villain roles have become sparse over the years.
Even though he's been playing roles with grey shades in his inimitable style even after turning hero, the full-fledged villain roles have become sparse over the years.
We did see flashes of the dormant antagonist in him in films like Netrikann and Billa.
We did see flashes of the dormant antagonist in him in films like Netrikann and Billa.
But then, almost a decade back, Rajinikanth played one of the most memorable cinema villains of the 21st century — Chitti in Enthiran.
But then, almost a decade back, Rajinikanth played one of the most memorable cinema villains of the 21st century — Chitti in Enthiran.
It was fitting that in a film about an all-powerful man-made marvel, it was Rajinikanth who was the Enthiran. While the 'good' robot was nice, it's the Red Chip Enthiran who oozes menace delectably.
It was fitting that in a film about an all-powerful man-made marvel, it was Rajinikanth who was the Enthiran. While the 'good' robot was nice, it's the Red Chip Enthiran who oozes menace delectably.
The film gets elevated once villain Rajini takes control of the proceedings, and what's better than one Rajinikanth? Thousands of them!
The film gets elevated once villain Rajini takes control of the proceedings, and what's better than one Rajinikanth? Thousands of them!
And the sounds of the whistles and applause bringing the roof down in 2010 for the iconic Black Sheep scene still rings loud and clear.
And the sounds of the whistles and applause bringing the roof down in 2010 for the iconic Black Sheep scene still rings loud and clear.
It's always fun to see Rajini being allowed to loosen up, put his guard down, and do what he did when he opened the rusty gates in the 1975 film Aboorva Ragangal - act without inhibition.
It's always fun to see Rajini being allowed to loosen up, put his guard down, and do what he did when he opened the rusty gates in the 1975 film Aboorva Ragangal - act without inhibition.
So, Mirror mirror on the wall, who's the baddest villain of them all?
So, Mirror mirror on the wall, who's the baddest villain of them all?
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