Bayakegalu Berooridaga Movie Review: A thoughtful look at marriage and emotional absence

Bayakegalu Berooridaga Movie Review:

Adjustment is often praised as the foundation of marital peace, but it rarely gets examined for the emotional cost it quietly demands. Bayakegalu Berooridaga builds its story around this delicate idea, showing how compromise, when stretched too long, weakens individuality and emotional presence. The film views marriage not as a dramatic conflict but as a lived domestic space where affection gradually fades into routine and duty.

Director: Jyothi Lakshmi N

Cast: Aakarsh Adithya, Sharanya Pattanashetty, Ajay Satyanarayan Manasa Joshi, Shailaja Joshi, and Karthik Sundaram

Bayakegalu Berooridaga introduces Radha (Sharanya Pattanashetty) through her daily routine at home. Her day starts before sunrise, where she cooks, cares for others, and manages the household with careful discipline. Her life resembles a pressure cooker on a steady flame, functional and contained, slowly gathering unspoken tension. The film captures how domestic work, while central to family stability, often goes unrecognized and turns care into silent endurance.

A simple digital reminder of Radha’s earlier professional life becomes the first emotional disruption in the story. The contrast between her past dreams and present circumstances is handled with sensitivity. The film shows how personal identity fades when family roles take over. The writing captures this change without loud emotional drama, relying more on behavior and quiet moments.

Satya (Aakarsh Adithya), Radha’s husband, exist in contrast. His emotional distance stems from social conditioning that views financial security as emotional responsibility. Bayakegalu Berooridaga avoids reducing him to a careless spouse. Instead, he comes across as a man caught up in work pressure and social expectations. Conversations between Radha and Satya gradually become routine exchanges about responsibilities, illustrating how marriages can appear stable while losing emotional closeness.

The emotional turning point occurs around their wedding anniversary, which falls on February 29. This rare date symbolizes their relationship, where meaningful emotional moments also become scarce. The forgotten anniversary is shown with restraint, allowing silence to carry the emotional weight rather than dramatic confrontation. Bayakegalu Berooridaga understands how emotional neglect often builds through small, everyday moments. Even Radha’s mother (Shailaja Joshi) during her occasional visits, senses the growing strain in her daughter’s marriage.

One of the film’s most effective scenes features a conversation with a cab driver who continues to celebrate his anniversary even after losing his wife. This moment offers a powerful emotional contrast and reminds Satya about the importance of memory and emotional presence. The scene subtly nudges him towards self-realization.

Radha’s growing connection with digital companionship reflects modern loneliness. Her interaction with a writer slowly rekindles her interest in reading and her earlier emotional and intellectual pursuits. The contrast between books and mobile screens gently comments on changing emotional habits and shrinking personal spaces. These elements evoke the emotional calmness seen in films like The Lunchbox, while the marital introspection hints at the quiet emotional tension of Mouna Ragam.

However, the film loses some balance when suspicion enters Satya’s thoughts. This tonal shift adds drama but disturbs the slow emotional pace established earlier. Some narrative developments follow familiar patterns, slightly reducing the psychological depth the film aims to maintain.

Sharanya Pattanashetty delivers a deeply internal performance, expressing Radha’s emotional fatigue and vulnerability through subtle expressions rather than heavy dialogue. Aakarsh Adithya portrays Satya with restraint, capturing his emotional distance without exaggeration. Their performances make the relationship feel believable and emotionally grounded.

Technically, the film employs a simple visual style. The staging and pacing often resemble older family dramas. While this simplicity supports the emotional intimacy of the story, it occasionally limits the film’s cinematic sharpness.

Bayakegalu Berooridaga serves more as an emotional study than a visual spectacle. It raises important questions about emotional labor, invisibility in relationships, and the fragile balance between companionship and responsibility. As the film navigates everyday emotions, misunderstandings and unspoken expectations, it gradually brings Radha and Satya to a place where silence speaks louder than words. The film does not rush to offer dramatic answers. Instead, it honestly explores the small emotional gaps that can grow inside a marriage. By the time the story reaches its end, Bayakegalu Berooridaga concludes like an unfinished conversation, leaving us to wonder if listening itself is the greatest act of love.