The Vvaan emerges as Sidharth Malhotra’s second-highest grossing solo film

The fantasy-thriller film also surpassed the collections of other 2026 films like Hai Jawani Toh Ishq Hona Hai, Mardaani 3 and Pati Patni aur Woh Do
The Vvaan emerges as Sidharth Malhotra’s second-highest grossing solo film
The Vvaan
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Sidharth Malhotra-Tamannaah Bhatia starrer The Vvaan has held a steady grip at the box office in its opening week. On its 7th day, the film collected Rs 4.50 crores nett at the box office, taking its domestic figures to Rs 53.60 crores nett.

With those figures, The Vvaan has now emerged as Sidharth Malhotra’s second-highest grosser after Ek Villain (2014), among his solo projects. The film surpassed the collections of Param Sundari (2025) which had garnered Rs 51.31 crores nett. While Ek Villain had crossed the 100 crore figure, his other big money-spinners like Student of the Year (2012), Brothers (2015), and Kapoor and Sons (2016) were all two-hero films.

The Vvaan emerges as Sidharth Malhotra’s second-highest grossing solo film
The Vvaan box office Day 5: Sidharth Malhotra and Tamannaah Bhatia starrer registers slight increase; domestic collections inch towards Rs 45 crore

It remains to be seen whether The Vvaan will manage to hold its ground after the arrival of Drishyam: The Conclusion, which released in theatres today, opening to massive occupancies. As of at 4pm on Friday, The Vvaan has added Rs 1.98 crores nett to its domestic collections. In the overseas market, the film collected an additional Rs 5.5 crores so far.

Among highest grossing Hindi films of 2026, The Vvaan stands at 12th position.

The Vvaan emerges as Sidharth Malhotra’s second-highest grossing solo film
The Vvaan Movie Review: TVF, Ekta Kapoor unite for most tedious film of the year

Co-produced by Ekta Kapoor’s Balaji Motion Pictures and Arunabh Kumar’s The Viral Fever, The Vvaan also stars Sunil Grover, Anup Soni, Shweta Tiwari, and Maniesh Paul in key roles. Deepak Kumar Mishra helmed direction for the film.

CE's Review of the film read: “Right from the opening scene, where Rishi saves a young person, there is an unexplained rush to the scenes. The film never feels comfortable with its rhythm, always racing through its plot points, as if afraid of the audience’s unforgiving attention span.”

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