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	Iravin Nizhal Movie Review: An admirable filmmaking experiment What makes Iravin Nizhal stand apart is how unlike Rope or the recent one-shot Malayalam film Santhoshathinte Onnam Rahasyam, the non-linear style of narration aids to provide us a story that can jump Published on 14th July 2022
	Ms. Representation: Terminator: Judgment Day This weekly column is a rumination on how women are portrayed in cinema, and this week the author discusses the portrayal of pregnancy and abortion in recent films  Published on 24th August 2021
	Biweekly Binge: Inside Don Palathara’s Cinema A fortnightly column on what’s good in the vast ocean of content in the streaming platforms around you, and this week, it's Don Palathara’s Santhoshathinte Onnam Rahasyam and Everything is Cinema Published on 18th August 2021
	Santhoshathinte Onnam Rahasyam movie review: Impressively fluid single-take drama Don Palathara's new film comes with genuine intentions and not once does its narrative choices seem like a gimmick Published on 22nd July 2021
	Santhoshathinte Onnam Rahasyam to compete at Moscow International Film Festival An 85-min single-take feature centred on an unmarried couple inside a moving car, the film is a first for Malayalam cinema Published on 23rd April 2021
	Don Palathara's two upcoming films selected for 25th IFFK 1956 is set against the backdrop of land reforms in Kerala, while Santhoshathinte Onnam Rahasyam is a 85-min single-take film that covers a car ride taken by a young journalist and an aspiring actor Published on 25th December 2020
	Don Palathara's next is Santhoshathinte Onnam Rahasyam Produced by Shijo K George, Santhoshathinte Onnam Rahasyam is an 85-min single-take car ride taken by a young journalist (Rima Kallingal) and an aspiring actor (Jitin Puthanchery) Published on 19th October 2020