Enable Javscript for better performance
Ms. Representation: The questions of Naachiyaar- Cinema express

Ms. Representation: The questions of Naachiyaar

This weekly column is a rumination on how women are portrayed in cinema, and this week it is about Bala's recent film, Naachiyaar

Krupa Ge
   |   
@XpressCinema
   |   
Published: 20th February 2018

Jyotika in and as Naachiyar has made what feels like the logical next leap in her ‘re-entry’... that dreaded word that seeks to slot women who come back after a hiatus post marriage - and possibly childbirth - to act in Tamil cinema. After playing a woman with political agency in Magalir Mattum recently, she returns as a cop, who doesn't feel guilty about beating up even some not-so-bad guys, and also savours delivering revenge on behalf of a minor girl who’s been raped in a gruesome manner. What with a blade and all.

The real whodunit in Naachiyaar -- which is about this cop with a golden heart finding out who really raped a minor, Arasi (Ivana), even though a young man Kaathavarayan (G V Prakash) is in jail for it -- is who or what forced this change in direction and writing for Bala. This isn’t a weepy, and there aren’t hide-your-face-away moments either. The thing that does stay from Bala's older films is the showing of mirror to the rest of us about the ‘fringe'. Even if at times a bit too clichéd, there are some things that scratch away at your conscience. A young Arasi washing the western toilet in a rich home, or just going about her 'work day’...

There’s also an interesting inversion of gendered roles in Naachiyaar and her husband’s occupations in the film. Naachiyaar is the brash, cop chasing the baddies in jeeps, beating up the bad guys, mouthing profanities and avenging, while her husband is a gynecologist – more has been written about in another column in this paper. (As an aside, it was interesting to see Dr Gurushankar whom one has seen in lovely tug-at-heart ads for Meenakshi Mission Hospital in cinemas, play Jyotika's husband.)

At the heart of the film, however, is the uncomfortable question: What is rape? Is it still not rape if the victim is unaware of it happening? Is it still not rape if someone else has avenged your rape without your knowing it? Who gets to feel righteous anger over rapes of minor girls? Women cops with young daughters? Or is it just this one woman cop? 

The infantilising of the ‘hero' at the beginning of romance by the young ‘heroine' and him calling her his Amma and Lover are all inverted as he comes out of jail. The cop at the heart of it all, Naachiyaar, and he decide (spoiler alert) to withhold information about the rape from the victim. The infantilising circle is complete, when they go against the advice of the only doctor in the fray, Naachiyaar's husband, who insists that both the man/boy and woman/girl should know the whole truth.

And gasp, there's even the promise of a happy ending in this Bala film. The questions though, linger... 

Related Articles

Comments

Disclaimer : We respect your thoughts and views! But we need to be judicious while moderating your comments. All the comments will be moderated by the newindianexpress.com editorial. Abstain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks. Try to avoid outside hyperlinks inside the comment. Help us delete comments that do not follow these guidelines.

The views expressed in comments published on newindianexpress.com are those of the comment writers alone. They do not represent the views or opinions of newindianexpress.com or its staff, nor do they represent the views or opinions of The New Indian Express Group, or any entity of, or affiliated with, The New Indian Express Group. newindianexpress.com reserves the right to take any or all comments down at any time.

Poll
TimeTravelFilmsinTamil

Which is your favourite time travel film in Tamil?

Result
Dikkiloona
24
Indru Netru Naalai
Trending