Location Diaries: The superstar who takes risks
Choreographer Kala talks about her experiences working on the films, Kochu Kochu Santhoshangal, Ustaad and Munthirivallikal Thalirkkumbol
For the song, Ghana Shyama, in Sathyan Anthikad's Kochu Kochu Santhoshangal, the shoot was in a hall at Kozhikode. The scene was a public concert in front of an audience. Bhanupriya and Lakshmi Gopalaswamy were supposed to do the dance. But there was one problem. Lakshmi was a classical dancer and did not know how to do a cinematic style dance.
“I felt that if she did a pure classical style, it will not look good in the film,” says dance choreographer Kala. Not surprisingly, Lakshmi felt tense. So, Kala went up to her and said, “Don't feel nervous. You will be able to do it.” Fellow actor Bhanupriya also said, “Don't worry. You can do it.”
Soon, Kala showed all the steps to Lakshmi. But it was not easy. “Somehow, Lakshmi could not match the facial expression to the steps,” says Kala. “So I had to teach her for a while. She was very young at that time.”
But in the end, it turned out very fine, with Lakshmi being able to match Bhanupriya step for step. And for Kala, this was a film which she will never forget because she won the National Film Award for Best Choreography in 2000. At Rashtrapati Bhavan, she received the award from President K.R. Narayanan. “I felt very happy to get the award for a Malayalam film from a Malayali president,” she says. “In fact, Narayanan Sir looked thrilled.”
Meanwhile, for the song Theerchayilla Janam in Siby Malayil's Ustaad, Kala had a different experience. When she went to the set, at AVM Studios at Chennai, she saw that it was a cramped place. It looked like the inside of a bar. She was told that dancers, club members, villains and the hero Mohanlal would be present. As she wandered around, she felt that the song could be done in a single shot.
When she told Mohanlal, he said, “Are you sure?” When Kala nodded confidently, he said, “Okay, let's do it.” Rehearsals with the other actors began at 6 am. Then at 11 am. Mohanlal joined the team and practised till 1 pm. Thereafter, there was a break for lunch and another rehearsal at 2 pm. The shoot began at 3 pm. And it was completed within ten minutes. Interestingly, it was Mohanlal who sang the song.
“The plus point of Lal sir, from a choreographer's point of view, is that he can do any type of dance,” says Kala. “If I have to do a dance sequence with Rajnikanth, Kamal Hassan or Mammootty, I will frame it in a particular way. But Lal sir has no limits. I can suggest anything, and he is willing to do it. He never says no.”
Even when the shots are highly risky. For the song, Aathimara kombilaaaa in Munthirivallikal Thalirkkumbol, the song was picturised in Shimla. One day, Kala saw a stone mountain at an immense height. She felt that it would be a brilliant shot if Mohanlal and Meena could be placed on the peak. When she told director Jibu Jacob, he said it would be risky. “But Lal sir immediately agreed to do it,” says Kala. “I am sure no other superstar would have taken the risk.”
And, indeed, it turned out to be a breathtaking shot, because it was taken from a helicam. “I met Lal sir for the first time in 1996,” says Kala. “And today, he has twice the energy and enthusiasm. He is an amazing actor and person.”