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Kaatu: A tale of human emotions- Cinema express

Kaatu: A tale of human emotions

Directed by Arun Kumar Aravind, this film is a rustic tale characterised by raw emotions

Published: 13th October 2017

Arun Kumar Aravind's Kaattu has two protagonists, a naive boyish Nuhakunnu and a macho Chellappan. Two extreme characters, they form an unlikely bond which traverses many emotional terrains, before meeting a dramatic end.

Cast: Murali Gopy, Asif Ali, Unni Rajan P Dev
Director: Arun Kumar Aravind

Kaatu, scripted by Ananthapadmanabhan, is an intense tale of humanity, characterised by raw emotions. And, the lion's share of it is devoted to exploring them. Chellappan (Murali Gopy)  is as crude as he can get. He drinks to his heart's content and shows no remorse using women for his satisfaction while Nuhakunnu is another extreme. He is pure and innocent; his love unalloyed by animal instincts. Then, there is Pauly (Unni Rajan P Dev) who is tactful. Their lives have little refinement. In his latest outing, Arun Kumar Aravind gives us their touching tale, but not without flaws.

Nuhakunnu leads an abused life until he meets Chellappan. They form a friendship, where Nuhakunnu gets to know him better; as an untrustworthy but deeply affectionate man. But, certain incidents prompt Nuhakunnu to take a drastic step.

Rather than the plot, it is the depth of characters that give Kaattu its form. Chellappan is established to us as someone who unabashedly satiates his sensual pleasure, but is too sensitive when it comes to his pet eagle. The character, that treads the grey area, has been fleshed out quite well and much of the narrative is centred around his equations with those around him. Same with Nuhakunnu who is cut out as a shy and innocent man, who can barely hold his head high. The beauty of Kaattu is in these characters.

For a tale that delves deep into the human psyche, Kaattu has a narrative style that is hugely dependant on visuals. The drama is set in a rustic terrain and Prasanth Raveendran’s cinematography adds to the richness. He captures their world so well that not once do we feel the whole setting is fabricated.

While the first half is engaging enough, the second half of Kaattu gets tedious. The narrative lags and flashbacks on Chellappan's love life hinder the pace of the film. The twist in the climax too is quite predictable and does no justice to the feel the first half gave.

As for the characters, Murali Gopy and Asif Ali do a near-perfect job as Chellappan and Nuhakunnu. Murali oozes machoism, while Asif manages to pull off the slightly dim-witted Nuhakunnu. Unni Rajan P Dev, who was earlier seen in forgettable avatars, makes a statement as Pauly, who is amusing, boastful and treacherous at the same time. Manasa Radhakrishnan and Varalaxmi Sarathkumar too give convincing performances.

Kaattu is a risky subject, for it needs steady and experienced hands. Arun Kumar Aravind proves he is good at his craft, making this drama a treat. We only wish it had been a little shorter and more realistic.

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