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26 Years of Amaidhi Padai: A look-back at Sathyaraj's unapologetic political-satire that's more rele- Cinema express

26 Years of Amaidhi Padai: A look-back at our very own unapologetic political-satire that's more relevant now as never before

Published: 23rd January 2020

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As the Manivannan-directorial completes 26 years, we give you some interesting trivia about its making
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Sathyaraj was enjoying good success as a lead actor, when his friend Manivannan narrated the script of Amaidhipadai to him.
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Sathyaraj initially rejected the script as he was not interested in playing a negative role. But, after being impressed by the narration, he accepted to play the role.
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Amaidhi Padai, which revolves around an ordinary man who builds his political career through short routes, is touted as one of Sathyaraj's best performances till date.
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Over the years, this film developed a strong cult following and is regarded as an ingenious visionary political satire film.
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The music was composed by Ilaiyaraaja, while the lyrics were written by Vaali, Pulamaipithan and Ponnadiyan.
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Amaidhi Padai emerged victorious among the Pongal releases of 1994, winning the race against other successful films like Despite releasing alongside Mahanadhi and Sethupathi IPS.
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The film went on to run for more than 25 weeks and was declared a blockbuster.
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Amaidhi Padai was remade in Telugu as Dharmaraju M.A, starring Mohan Babu and Sujatha.
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The film was remade in Hindi as Jallaad, starring Mithun Chakraborty, Moushmi Chatterjee, Rambha, and Madhoo.
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Manivannan made a sequel starring Sathyaraj and Seeman, titled Nagaraja Cholan MA, MLA in 2013
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Nagaraja Cholan MA, MLA, which opened to mixed reviews, was Manivannan's 50th and last film as a director and actor, as he died a month after the film's release.
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After this film, Sathyaraj played a villain opposite himself in the movie Villadhi Villain (1995).
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Kasthuri was seen as Amavasai's love interest Thayamma in the movie.
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All of the politically-charged sarcasm which the movie feeds us remains relevant today because it is based on the fundamental nature of the hypocrisy of mainstream politics.
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Here are a few more snapshots from the film...
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