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Aditya Shrikrishna

Saheb Biwi Aur Gangster 3 Review: Many unintended laughs in this pointless sequel

The film runs like a long teaser for everything we have already watched in the first part

27 Jul 2018

Dhadak Review: A terrible adaptation with the soul of Sairat ripped out

Retaining neither the authenticity nor the form, this remake shows why Nagraj Manjule's original is the real deal

20 Jul 2018

Soorma Review: A drably made biopic of a hero

With the director Shaad Ali not going for the cinematic, the stakes don't feel high at any point

13 Jul 2018

Sacred Games Review: A tasteful adaptation of Vikram Chandra’s novel bolstered by great performances

This Netflix original does more to counter the present culture than most mainstream ventures

09 Jul 2018

Sanju Review: A strange but entertaining biopic 

A film that is intensely Bollywood and in love with the industry, but the approach is a strange concoction of melodrama, parody and comedy

29 Jun 2018

Race 3 Review: Nothing redeemable in this race 

A film that could have been made from the floor of Race 1 and 2 edit rooms

15 Jun 2018

Bhavesh Joshi Superhero Review: An interesting attempt at not-a-superhero-movie

A realistic take on the superhero genre that at times suffers from being too real at the wrong places

02 Jun 2018

Veere Di Wedding Review: A bland wedding with some smarts

A female buddy wedding film that could've been been funnier, snappier, and zanier

01 Jun 2018

Parmanu The Story of Pokhran Review: An unconvincing, unexciting version of Pokhran

A film with negligible production values, shallow story and non existent performances

25 May 2018

The recurring themes of Lijo Jose Pellissery

The author talks about the recurring themes in the films of director Lijo Jose Pellissery

22 May 2018

High Jack Review: Stoner comedy that is all stoned with no comedy 

A unimaginative story of amateur hijackers, who accidentally get high along with the passengers 

18 May 2018

An ode not just to Savitri, but to cinema itself

The author talks about how Nag Ashwin's Savitri biopic, Mahanati/Nadigaiyar Thilagam, doubles up as a visual retelling of the history of South Indian cinema 

16 May 2018

Raazi Review: An engrossing spy thriller

What happens when a rookie, who was saving squirrels from turning up as road kill just a few months ago, commits her first murder?

11 May 2018

Omerta Review: A straight shooting unsatisfying biopic

The film never delves into the pre-Bosnia Sheikh, instead we get bullet points of incidents that have run their course on news, TV channels and inspired scores of films in the last 25 years

05 May 2018

102 Not Out Review: A derivative work that’s inoffensive but unmemorable

The film ambles along like a chamber drama, a drama that feels like it has been directly translated from the pages without the need for direction

04 May 2018

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